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Conde, J. A. (2019). Cronomosaicos: metáforas espaciales del tiempo en la novela hipermedia TOC, de Steve Tomasula. Razón Crítica, (6), 113–132. https://doi.org/10.21789/25007807.1442
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Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-CompartirIgual 4.0.
Resumen
En este artículo se hace un análisis de la novela interactiva TOC: A New Media Novel (2009), del escritor y artista norteamericano Steve Tomasula a partir de las metáforas conceptuales que propone en torno a la temporalidad. A partir de estos tropos temporales, se ofrece una reflexión en torno a las particularidades de la ficción interactiva, tanto en sus formas narrativas como en su relación con los soportes tecnológicos en los que se fundamenta. Así mismo, se propone un acercamiento a la manera en que la semántica cognitiva ha abordado la manera en que los seres humanos conceptualizamos el tiempo, tratando de extender sus análisis basados en el lenguaje verbal al ámbito de los medios audiovisuales interactivos.
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Citas
Banash, D. (2015). Steve Tomasula. The Art and Science of New Media Fiction. New York/London/: Bloomsbury.
Banash, D., & Spain, A. (2015). Introduction: Composition, Emergence, Sensation: Science and New Media in the Novels of Steve Tomasula. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 1-24). New York/London: Bloomsbury.
Banash, D., & Tomasula, S. (2015). Afterword. An Interview with Steve Tomasula. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 285-304). New York/London: Bloomsbury.
Berens, K. I. (2015). Touch and Decay: Tomasula's TOC on ipad. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 167-182). New York/London: Bloomsbury.
Boroditsky, L. (2000). Metaphoric structuring: understanding time through spatial metaphors. Cognition, 1-28.
Bray, J., Gibbons, A., & McHale, B. (2012). The Routledge Companion to Experimental Literature. New York: Routledge.
Bylund, E., & Athanasopoulos, P. (2017). The Whorfian Time Warp: Representing Duration Through the Language Hourglass. Journal of Experimental Psychology: General, 146(7), 911-916.
Conde, J. A. (2011). Límites y posibilidades de la novela hipermedia. Memorias digitales del VIII Foro de Diseño/Festival de la Imagen (CD ROM). Manizales: Universidad de Caldas.
Evans, V. (2003). The Structure of Time. Language, meaning and temporal cognition. Amsterdam/Philadelphia: John Benjamins Publishing Company.
Evans, V., & Green, M. (2006). Cognitive Linguistics. An Introduction. Edinburgh: Edinburgh University Press.
Fauconnier, G. (1994). Mental Spaces. Aspects of Meaning construction in Natural Language. Cambridge: Cambridge University Press.
Fauconnier, G., & Turner, M. (2002). The Way we Think. Conceptual Blending and the Mind's Hidden Complexities. New York: Basic Books.
Fauconnier, G., & Turner, M. (2008). Rethinking Metaphor. In J. R. Gibbs, The Cambridge Handbook of Metaphor and Thought (pp. 53-66). Cambridge/New York: Cambridge University Press.
Gentner, D., Imai, M., & Boroditsky, L. (2002). As time goes by: Evidence for two systems in processing space-time metaphors. Language and Cognitive Processes, 537-565.
Gibbons, A. (2012, 06 28). Electronic Book Review. Retrieved from “You’ve never experienced a novel like this”: Time and Interaction when reading TOC:
http://www.electronicbookreview.com/thread/fictionspresent/linear
Gibbons, A. (2012). Multimodality, Cognition, and Experimental Literature. New York: Routledge.
Hayles, N. K. (2004). Print Is Flat, Code Is Deep: The Importance of Media-Specific Analysis. Poetics Today, 67-90.
Hayles, N. K. (2012). How we Think: Digital Media and Contemporary Technogenesis. Chicago: The University of Chicago Press.
Hurault-Paupe, A. (2015). Intermediality in Steve Tomasula's TOC: A New Media Novel: A Semiological Analysis. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 183-208). New York/London: Bloomsbury.
Inman Berens, K. (2015). Touch and Decay: Tomasula's TOC on iPad. In D. Banash, Steve Tomasula: The Art and Science of New Media Fiction (pp. 167-182). New York and London: Bloomsbury.
Johnson, M., & Lakoff, G. (2008). Philosophy In The Flesh. The Embodied Mind and its Challenge to Western Thought. New York: Basic Books.
Johnson, M., & Lakoff, G. (2017). Metáforas de la vida cotidiana. Madrid: Cátedra.
Moore, K. E. (2014). The Spatial Language of Time. Metaphor, metonymy, and frames of reference. Amsterdam/Philadelphia: John Benjamins Publishing Company.
Núñez, R. E., & Sweetser, E. (2006). With the Future Behind Them: Convergent Evidence From Aymara Language and Gesture in the Crosslinguistic Comparison of Spatial Construals of Time. Cognitive Science, 401–450.
Núñez, R. E., Motz, B. A., & Teuscher, U. (2006). Time After Time: The Psychological Reality of the Ego- and Time-Reference-Point Distinction in Metaphorical Construals of Time. Metaphor and Symbol, 133–146.
Olsen, L. (2015). Ontological Metalepses, Unnatural Narratology, and Locality: A politics of the [[ Page ]] in Tomasula's VAS & TOC. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 209-224). New York/London: Bloomsbury.
Page, R. (2010). New Perspectives on Narrative and Multimodality. New York/London: Routledge.
Pellegrin, J.-Y. (2010). Tactics Against Tic-Toc: Browsing Steve Tomasula's New. Études anglaises, 174-190.
Tomasula, S. (2009). TOC: A New Media Novel. Tuscaloosa: The University of Alabama Press.
Tomasula, S. (2012). Code Poetry and New-media Literature. In J. Bray, A. Gibbons, & B. McHale, The Routledge Companion to Experimental Literature (pp. 483-496). New York: Routledge.
Tomasula, S. (2012). Information Design, Emergent Culture and Experimental Form in the Novel. In J. Bray, A. Gibbons, & B. McHale, The Routledge Companion to Experimental Literature (pp. 435-451). New York: Routledge.
Banash, D., & Spain, A. (2015). Introduction: Composition, Emergence, Sensation: Science and New Media in the Novels of Steve Tomasula. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 1-24). New York/London: Bloomsbury.
Banash, D., & Tomasula, S. (2015). Afterword. An Interview with Steve Tomasula. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 285-304). New York/London: Bloomsbury.
Berens, K. I. (2015). Touch and Decay: Tomasula's TOC on ipad. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 167-182). New York/London: Bloomsbury.
Boroditsky, L. (2000). Metaphoric structuring: understanding time through spatial metaphors. Cognition, 1-28.
Bray, J., Gibbons, A., & McHale, B. (2012). The Routledge Companion to Experimental Literature. New York: Routledge.
Bylund, E., & Athanasopoulos, P. (2017). The Whorfian Time Warp: Representing Duration Through the Language Hourglass. Journal of Experimental Psychology: General, 146(7), 911-916.
Conde, J. A. (2011). Límites y posibilidades de la novela hipermedia. Memorias digitales del VIII Foro de Diseño/Festival de la Imagen (CD ROM). Manizales: Universidad de Caldas.
Evans, V. (2003). The Structure of Time. Language, meaning and temporal cognition. Amsterdam/Philadelphia: John Benjamins Publishing Company.
Evans, V., & Green, M. (2006). Cognitive Linguistics. An Introduction. Edinburgh: Edinburgh University Press.
Fauconnier, G. (1994). Mental Spaces. Aspects of Meaning construction in Natural Language. Cambridge: Cambridge University Press.
Fauconnier, G., & Turner, M. (2002). The Way we Think. Conceptual Blending and the Mind's Hidden Complexities. New York: Basic Books.
Fauconnier, G., & Turner, M. (2008). Rethinking Metaphor. In J. R. Gibbs, The Cambridge Handbook of Metaphor and Thought (pp. 53-66). Cambridge/New York: Cambridge University Press.
Gentner, D., Imai, M., & Boroditsky, L. (2002). As time goes by: Evidence for two systems in processing space-time metaphors. Language and Cognitive Processes, 537-565.
Gibbons, A. (2012, 06 28). Electronic Book Review. Retrieved from “You’ve never experienced a novel like this”: Time and Interaction when reading TOC:
http://www.electronicbookreview.com/thread/fictionspresent/linear
Gibbons, A. (2012). Multimodality, Cognition, and Experimental Literature. New York: Routledge.
Hayles, N. K. (2004). Print Is Flat, Code Is Deep: The Importance of Media-Specific Analysis. Poetics Today, 67-90.
Hayles, N. K. (2012). How we Think: Digital Media and Contemporary Technogenesis. Chicago: The University of Chicago Press.
Hurault-Paupe, A. (2015). Intermediality in Steve Tomasula's TOC: A New Media Novel: A Semiological Analysis. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 183-208). New York/London: Bloomsbury.
Inman Berens, K. (2015). Touch and Decay: Tomasula's TOC on iPad. In D. Banash, Steve Tomasula: The Art and Science of New Media Fiction (pp. 167-182). New York and London: Bloomsbury.
Johnson, M., & Lakoff, G. (2008). Philosophy In The Flesh. The Embodied Mind and its Challenge to Western Thought. New York: Basic Books.
Johnson, M., & Lakoff, G. (2017). Metáforas de la vida cotidiana. Madrid: Cátedra.
Moore, K. E. (2014). The Spatial Language of Time. Metaphor, metonymy, and frames of reference. Amsterdam/Philadelphia: John Benjamins Publishing Company.
Núñez, R. E., & Sweetser, E. (2006). With the Future Behind Them: Convergent Evidence From Aymara Language and Gesture in the Crosslinguistic Comparison of Spatial Construals of Time. Cognitive Science, 401–450.
Núñez, R. E., Motz, B. A., & Teuscher, U. (2006). Time After Time: The Psychological Reality of the Ego- and Time-Reference-Point Distinction in Metaphorical Construals of Time. Metaphor and Symbol, 133–146.
Olsen, L. (2015). Ontological Metalepses, Unnatural Narratology, and Locality: A politics of the [[ Page ]] in Tomasula's VAS & TOC. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 209-224). New York/London: Bloomsbury.
Page, R. (2010). New Perspectives on Narrative and Multimodality. New York/London: Routledge.
Pellegrin, J.-Y. (2010). Tactics Against Tic-Toc: Browsing Steve Tomasula's New. Études anglaises, 174-190.
Tomasula, S. (2009). TOC: A New Media Novel. Tuscaloosa: The University of Alabama Press.
Tomasula, S. (2012). Code Poetry and New-media Literature. In J. Bray, A. Gibbons, & B. McHale, The Routledge Companion to Experimental Literature (pp. 483-496). New York: Routledge.
Tomasula, S. (2012). Information Design, Emergent Culture and Experimental Form in the Novel. In J. Bray, A. Gibbons, & B. McHale, The Routledge Companion to Experimental Literature (pp. 435-451). New York: Routledge.
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